Bryant and May and the
Bleeding Heart is the eleventh outing for one of the oddest detective duos
in literature. Since the last
instalment, Bryant and May and the
Invisible Code, Arthur Bryant and John May, together with the other members
of the Peculiar Crimes Unit, have been moved from the Met to the City of London
Police, a force more accustomed to solving financial crime. A fresh start?
Or maybe not, as their new, PR-savvy boss, Orion Banks sees
the PCU as a potentially embarrassing anachronism and OAP detectives Bryant and
May as being ripe for retirement. On top
of this, the first crime they begin to investigate is definitely not the kind
of thing Orion thinks proper.
Two teenagers have, apparently, seen a dead man rising from
a grave in a London graveyard, something which doesn’t look much like a real
crime, even when one of the teenagers is killed in a hit and run accident a few
days later. Nevertheless, the interest
of the PCU has been aroused and Bryant’s curiosity is even more piqued when it
transpires that the dead youth’s shirt has been swapped between the moment he
was last seen alive and the moment his body is discovered.
Frustratingly for Bryant, he is banned from investigating
this situation and is, instead tasked with finding out who has stolen the
ravens from the Tower of London, something which leads him to cross paths again
with Mr Merry, a kind of Welsh Aleister Crowley.
Of course, the two crimes are destined to connect with each
other and our two detectives end up getting involved with some 21st
Century bodysnatchers, a dodgy waste disposal company and trying to figure out
what the secret of Bleeding Heart Yard has to do with things, whilst Bryant is forced to confront his fear of being buried alive.
For various reasons, I’ve been picking up the Bryant and May books piecemeal and in no
particular order, which is a shame as they do benefit from being read in
order. I have promised myself to go back
and read (or, in some cases, reread) them from the beginning as I have become a
little addicted to them, with this new episode being the best I’ve read so far.
The interplay between the members of the PCU is entertaining
and often amusing and there is a real life to the characters, centring on
Bryant and May themselves whose different but complementary personalities have
created a distinctive and engaging partnership.
They are, in essence, old-fashioned detectives who would fit perfectly
into a Golden Age novel but who are forced to deal with the modern world, with varying
degrees of success, as Bryant’s tendency to destroy technology demonstrates.
On top of this, Christopher Fowler enriches the stories by
steeping them in the arcana of London’s thousand year history. The books almost scream London and I have
rarely read books that have such a strong sense of place and of belonging.
All this only goes so far though and Fowler’s master trick
is to underpin the eccentricity, the arcana and the whiff of the occult that
suffuses the Bryant and May books
with a solid police procedural and a proper investigation. This grounds the novels and stops the other
elements from turning them into implausible fantasy tales.
Bryant and May and the
Bleeding Heart is an excellent detective novel. It is, like the detectives themselves quirky
but solid. Superior stuff.
I would like to thank Random House (UK) for allowing me to
read this via Netgalley.
4 comments:
I really must start reading this series - I'm guessing best to start at the beginning?
I'm chomping at the bit for my copy to arrive from Amazon UK. I love John and Arthur!
Annabel - definitely so. I didn't and wish I had.
Kathy - they are great, aren't they.
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