Having unwrapped it from its Amazon packaging, I casually gave the back cover a glance, just to see what the blurbs said and saw this quote from BBC Radio 5:
“the Jamie Oliver of Shakespeare.”
It was fortunate that there wasn’t a wastepaper bin within easy throwing range or you may very well have been reading something else on this page today. It’s not that I have anything in particular against the aforesaid Saint Jamie of Oliver. I appreciate that he is very well-meaning and has been prepared to put his money where his mouth is when it comes to his causes. I’m even happy to say that he has done a great deal to improve the diets of British schoolchildren (often against their will!) and to encourage proper home cooking, something that can only be applauded in our age of ready meals and fast food. It’s just that the cheeky chappy manner and the toe-curling catchphrases make me want to kick a hole in the TV screen. I swear to God that if I hear the words, “pukka” or “delish” one more time, I may swallow my own tongue in disgust.
You see, Jamie Oliver is actually a very smart guy. He runs successful restaurants, is a brand in himself and has been a mainstay of
television for over a decade. He’s nobody’s fool. Yet, he insists on acting like a teenager. A pretty decent teenager, I will admit, and not one of your feral hoodied yobbo teenagers but, nevertheless, a teenager. I also feel uncomfortable when I see him being all matey and concerned on TV with people who will never even have a tiny fraction of his estimated £106 million fortune. I don’t begrudge him a single penny of it – I just find the mateyness a bit false. UK
Anyway, as I said, there wasn’t a wastepaper bin to hand and so I decided to read Shakespeare on Toast rather than consigning it to the recycling. And I’m so glad I did.
Ben Crystal is an actor and also the son of David Crystal, a renowned British linguist, who has also written about Shakespeare’s language. As well as acting,
has carved out a career in running workshops and broadcasting about Shakespeare, with the intention of demystifying him and making him more accessible to modern audiences and in Shakespeare on Toast, he attempts to do so in print. Crystal
Shakespeare on Toast, therefore, gives us a quick tour of life for an Elizabethan dramatist, actor and theatre-goer to set the backdrop to Shakespeare’s plays. It then proceeds to discuss Shakespeare’s language in an attempt to dispel the common notion that it is “difficult” for a 21st Century reader to understand.
does this very successfully, pointing out, for example, that 95% of the words used in Shakespeare’s plays are exactly the same as they are today. He also reveals how an understanding of the use of “thou” and “you” can increase one’s appreciation of the plays. Crystal
Having dealt with Shakespeare’s language, Crystal then explains Shakespeare’s use of verse, setting out Shakespeare’s hierarchy, wherein prose sits at the bottom, tending to be used for prosaic and unemotional speech, topped by blank verse, then rhyming verse, sonnet and, finally, song. Having explained with this, there is an extensive consideration of Shakespeare’s use of the iambic pentameter, why it is so wonderful, how Shakespeare riffs on the form like Miles Davis and, finally, how Shakespeare, known for the lack of stage directions in his plays, gives his instructions to his actors through the structure of the verse itself.
This discussion of the iambic pentameter was the real eye-opener for me. When I was doing my Latin O-level, many, many years ago, one part of the exam paper always asked you to scan a few lines of Latin verse, to mark in the stresses and caesuras and to identify whether it was iambic pentameter or hexameter. It is actually possible to do this with no understanding of verse or verse structure at all, provided you followed a few simple rules. As such, the question became an exercise in deduction rather than language or literature.
’s discussion of Shakespeare’s verse has transformed my understanding of this and I can now see exactly what I should have been seeing all those years ago. Crystal
The final part of Shakespeare on Toast has
putting everything together in a fascinating analysis of one of the key speeches in Macbeth. It’s a real tour de force. Crystal
I think this book is wonderful. I have learned plenty from it and I suspect anyone other than an English literature academic would do the same. If, in the years to come, mini-Falaise is struggling with Shakespeare, I will simply reach for the shelves and hand her this book. I reckon it should be compulsory reading for all teenagers studying Shakespeare and so, for that, Saint Jamie of the Bard gets my vote.